I will admit to missing the continuity of assignment deadlines when we were in the SBA botanical art distance course. It's been three months since the last artwork was completed and sent away to London for final marks - and both the artworks and I have done a lot of travelling since. The space and time have been very fruitful though and there are a lot
more artwork deadlines up ahead - so instead of being daunted by them I will be
grateful to have the motivation and appreciate working towards a goal.
The final of the three diploma works to show here is the Mixed Study - a variety of subjects loosely combined to show flowers, stems, leaves gathered together
in different perspectives and angles. I chose plants from my garden - those that were blooming prolifically
as I needed to source them easily. No time for heading out to the
garden centre or florist as the final deadline was looming. I chose a
rose, bronze cottonwood, hibiscus and frangipani - it speaks volumes about the kind of
summer garden we have and the plants that survive our intense heat.
I had drawn all the elements onto tracing paper and moved them around to find a suitable
composition so that the colours worked well together and the placement filled the page nicely.
Much time was spent doing colour studies to match the individual hues ...
I used oasis foam supported in a pot and played with the flower cuttings to see how they would appear together. Here is an unfurling cottonwood bud which I cut and then next to it you can see where I placed my work in progress artwork behind it to see how it would fit in the composition.
And here is the 'real' flower below drawn and painted into the composition ...
I became glued to this art table for many days and nights -
my desk started to become quite
overwhelmed with paint charts, palettes of colour, water containers
etc! Not to mention the plants, flowers, cuttings, and chaos all over
the house ...
It's good to step away from the artwork during a break and look at it on a computer screen to zoom in and check for any overlooked elements ...
I also like to walk around the artwork to see if it looks 'real' from all angles - the three dimensionality is what brings a painting to life and if it looks like you could pick it off the page then I'm happy.
Only a little more to go and the artwork was complete.
And voila - joined the other diploma artworks on the long journey from Western Australia to London.
Thanks for joining me on this wonderful journey in botanical art!
I love hearing from you too - your comments are much appreciated x
Thanks for joining me on this wonderful journey in botanical art!
I love hearing from you too - your comments are much appreciated x